This Chicago zine reached us with the comment that its existence was partly inspired by Creases Like Knives. Music to our ears – what could feel better than motivating someone not just to moan and bitch about us on Facebook, but to make an effort and build their own platform? This isn’t the first ever effort by Warren, editor of The Coldest zine, though: as a teen in the late 90s, the contributed a couple of “crude cut-and-paste” zines filled with ramblings on what was and wasn’t “real punk” / “real hip hop”. In hindsight, he finds them all “quite embarrassing … because of their immaturity, delusions or offensiveness”, he writes, which is “always the risk of throwing out to the world what’s in your mind when you’re young”. Never a truer word been spoken, and I for one prefer to cast a cloak of silence over my own juvenile efforts.
Continue readingMonth: January 2023
“He was a SKIN.” A talk with Brendan McCarthy
The British comic strip Skin – conceived and drawn by Brendan McCarthy, written by Peter Milligan and coloured by Carol Swain – was commissioned by Fleetway Publications, who intended to publish it in Crisis magazine in 1990. The story revolved around Martin Atchet, a young skinhead whose arms are malformed from birth. Like so many real-life children in the 50s and 60s, the Martin character is born deformed because his pregnant mother is prescribed thalidomide, an anti-nausea drug whose effects on pregnant women are not properly tested.
Due to the raw and potentially controversial subject matter, the publishers soon changed their minds and withdrew their offer, however, and Milligan and McCarthy’s splendid work remained in limbo until 1992, when Kevin Eastman – co-creator of the Ninja Turtles alongside Peter Laird – finally made it available to the public via Tundra Publishing.
In Italy, Skin was published in three parts in Tank Girl magazine, namely from November ‘95 to February ‘96, and this original Italian edition is quite difficult to find. However, Hellnation Libri are now issuing a new Italian edition, edited and translated by Flavio Frezza (of Garageland magazine). For this interview, Flavio and the skinhead artist Alessandro Aloe (of Moriarty Graphics) had a chat with Brendan McCarthy, who like his co-author Peter Milligan was a skinhead in the very early 70s.
This interview was originally published in Italian on the Crombie Media blog.
Continue readingParis on Oi!
French Oi has always had a special quality, hasn’t it? I first learned this when visiting family in my birth town Warsaw many moons ago and randomly buying a bootleg tape titled Son de la rue from a street market stall outside the Palace of Culture. It was the days of a flourishing black market, and on every street corner you’d find 4-Skins and Blitz pirate tapes democratically displayed alongside Metallica and Madonna ones. Son de la rue compiled some of the best cuts from the Chaos en France series – Komintern Sect, Snix, Camera Silens, you name it – and I’ve remained a fan of frog Oi ever since.
Continue reading‘No glue, no glass bottles’ – Remembering Chris Killip
There weren’t many skinheads at the Photographers’ Gallery the day of his visit, but perhaps our reporter Andrew Stevens wasn’t looking hard enough. There were several, however, in its exhibition afforded to the late Manx photographer Chris Killip – and iconic ones at that. You may already be familiar with some of Killip’s work, even if he’s not a name that falls off the lips like Nick Knight in the world of subcultural portraiture or an academic in the vein of Dick Hebdidge. The West End gallery is bringing together a career-spanning show of his work for the first time.
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