Margins: A film about skin and punk life in the Italian provinces

I dislike 99% of punk and skinhead movies – even the better ones usually only make me cringe. There are exceptions: I thought the US punks in the very watchable Green Room were authentic (the boneheads perhaps less so) and Russia 88 was both clever and funny. But Romper Stomper? Sid and Nancy? Farming? Give me a break.

For once, though, I didn’t have any objections to the way skins and punks were depicted in Margins (original title: Margini), the new movie by Niccolò Falsetti that’s out in Italian cinemas now and also seems to be doing the rounds at international festivals. Granted, the characters in Margins aren’t representative of skinheads or punks in general – they portray punks and skins in Italy, or more specifically in the provinces, and this they do very convincingly. Having only lived in Italy since 2020, I might miss some nuances, but the characters on screen talked, looked and acted very much like people I’ve encountered in real life in these past two years. Italy has its share of small dead-end towns where nothing ever seems to be happening for the one or two resident skins. But they have a car and a sleeping bag, and you meet them at every single gig within a 200-mile radius. They’re the kids that Margini is about.

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The cropped rats of Tilbury: ‘Farming’ revives skinhead movie cliches

Farming is the latest skinhead movie, even if it feels more like one from the 80s or 90s. Based on writer-director Adewale Akinnuoye-Agbaje’s youth – very loosely, I should imagine – it tells the tale of a Nigerian boy named Enitan, who is raised by British white working-class foster parents in Tilbury. The friendless Enitan is brutalised by a gang of racist local skinheads. Since he can’t beat them, he joins them. But his ordeal has only just begun, as he becomes both victim and victimiser. While continuously receiving racist abuse, he doles out beatings to other non-whites in a bid to gain acceptance from his ‘friends’. Continue reading