they had to be. Continue reading
they had to be. Continue reading
Klasse Kriminale: Construito in Italia 7’ EP (Skinhead Sounds)
Skinhead Sounds is run by Italian skinhead historian Flavio (who we interviewed here) and has just reissued two classic 7-inches. Constriuto in Italia is the 30th-anniversary release of the debut EP by Klasse Kriminale, who in the latter half of the 80s were one of very few Italian Oi bands left. Continue reading
As a youth cult and subculture, skinheads, their fashion and music, have been the subject of numerous books and documentaries, some favourable and others not so.
This is an on-going, decade by decade, attempt to catalogue in 500 words or less the most notable (our own Research Unit, if you like), starting with Richard Allen’s Skinhead in 1970 and ending on ST Publishing’s output until the turn of the century. Continue reading
And now for something completely different… Tim Wells has written a ghost story especially for you. If you recognise the venue it was inspired by, congratulations.
For the uninitiated, Tim is an East London ranting poet. He was a teenage suedehead in the 1970s and a reader of Hard As Nails and the sussed skinhead zines in the 80s. He eats the odd dish of pie and mash.
We hope this article will shed light on questions you were always afraid to ask, for few topics are more divisive than monkey boots. However, Crombieboy does not pretend that his stab at trackng the history of the boot is comprehensive. It’s just an attempt that heavily relies on word-of-mouth accounts – for few topics are more shrouded in mystery than the history of this fine footwear item. If you know more than he was able to find out, we’d encourage you to enlighten us. Continue reading
You’d have to go back quite some time to find proper skinzines like Hard As Nails, Zoot, Bovver Boot and the like. Back far enough, in fact, to the era before even the MP3 or dial-up modems.
Verbal, despite the aggro title, isn’t a ‘sussed skin’ zine in the vein of Hard As Nails, though it’s arguably as sussed as any of those earlier titles, and no one could deny that editor John King has more than earned his stripes as the novelist behind Skinheads and the Human Punk nights at the 100 Club, if not more. Continue reading
Footballer biographies are two a penny these days, but this wasn’t always the case. First published in 1996, Chelsea, Stoke and Arsenal legend Alan Hudson’s The Working Man’s Ballet was unusual in its time of being a non-ghosted tale of battles on and off the pitch, demons fought and, yes, Ben Shermans worn. London Books, run by John King (Skinheads, The Football Factory) and Chelsea Shed boy Martin Knight, are now republishing Alan’s biography, which John says is an account of “shared rebelliousness” between the dressing room and the terraces.
Despite their band name, the Young Ones are actually in their thirties like all of us. Unlike most of us, they are a band from the Oi capital of Maastricht, which is run by them and their elder peers in Close Combat (who we interviewed before). They have finally started doing some new music after being out the game for some eight years. Their sound is like sped-up Cockney Rejects with a smattering of Hard Skinesque humour. Girth spoke to their bassist Merijn, whose interest in conspiracy theorist David Icke is second only to ours. Continue reading
It’s fair to say that scooters were one of the few staples of mod culture to survive intact as the subculture gave way to skinheads and bootboys. Many a self-respecting bootboy was pictured above their two-stroke brand of choice in the early seventies, and the presence of the mod revival later in the decade could give the impression that the scooterboy culture was all the rage throughout. But as Ashley Lenton (Classic Scooterist, Vespa News) writes here, scooterists were actually a dying force in the seventies and it was only thanks to a dedicated band that we can document it now. Continue reading