Classic albums: ‘Voice of a Generation’ by Blitz

It’s my great pleasure to discuss Voice of a Generation with Neil ‘Mackie’ McLennan, the man who played the bass on one of history’s most legendary Oi/punk albums – perhaps the most legendary one, and a strong influence on everyone from Templars and Criminal Damage to the more recent Mess.

When I was 17-18, I played a cassette tape of Voice of a Generation every day until it died (from memory, From Chaos to 1984 by the 4-Skins was on the other side – my two new favourite albums after years of G.B.H, Discharge and Daily Terror). But that’s just on a personal sidenote… Over to Neil ‘Mackie’ Mc Lennan!

Matt Crombieboy

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Street music and football scuffles: a chat with Crown Court’s Trevor Taylor

Do you remember the days of 2014? The international ‘Oi’ music landscape was awash with overproduced pop/rock garbage, but then Crown Court came along with their aptly titled Trouble From London demo, delivering a sudden, well-aimed kick in the nuts. Tunes like ‘Hammer A Nail’ and ‘B.T.P’ delivered Oi music as it should be: raw, gritty, and oozing the grime of inner-city streets.

Subsequent releases easily lived up to the promise. What’s more, they contained beautiful references to Haringey/Tottenham, north London home to both Crown Court’s vocalist Trevor Taylor and Creases Like Knives. There’s ‘No Paradise’ off the English Disease EP, for instance – an ode to Trevor’s stomping ground near Manor House tube station. Or ‘Sammy Skyves’ off the Capital Offence debut album – a worthy monument to the legendary black lad who was a leading Tottenham Hotspurs bootboy in the 60s. Continue reading