Turbo Genova: the birth and rise of Italian Oi band Stiglitz

Looking up the definition of ‘turbo’, a word that first emerged in the early twentieth century, we find multiple meanings, although it usually denotes something that is connected to turbines – e.g. a turbocharger, an aeronautic turboprop, etc. In the 80s, the term entered the lexicon of heavy metal to describe things that are unbelievably powerful – so powerful they may as well be driven by turbines. And so, a thrash band from the Polish People’s Republic simply christened itself TURBO. In the United Kingdom, meanwhile, Judas Priest issued their 1986 album Turbo Lover.

The 90s gave us Turbonegro of course, and more recently, a subgenre dubbed ‘Turbo Oi’ has emerged in Italy. One of the leading lights of the movement are Stiglitz from Genoa – a young group stepping into the illustrious footsteps of Gangland and many other local legends. Genoa, you must know, is one of the most important cities not only for the historical development of the world market, but also for the Italian skinhead scene.

Stiglitz were founded two years ago by Gianluca (vocals), Beppe (vocals), Alberto (guitar), Francesco (bass) and Martino (drums). Following up on their self-titled debut mini-album of 2020, they’ve just published a single called Tempi grammi on Flamingo Records. I’ve no idea if they’ll like hearing this, but the vibe reminds me somewhat of the first Skinkorps single, Une force, un hymne – or a more melodic version of it. Or maybe it’s just a more melodic version of the first Stiglitz album. Whatever the case, Valentina Infrangibile spoke one of their two vocalists, Gianluca.

By the way, 16 December will see the release of their new EP, Deja Vù.

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Margins: A film about skin and punk life in the Italian provinces

I dislike 99% of punk and skinhead movies – even the better ones usually only make me cringe. There are exceptions: I thought the US punks in the very watchable Green Room were authentic (the boneheads perhaps less so) and Russia 88 was both clever and funny. But Romper Stomper? Sid and Nancy? Farming? Give me a break.

For once, though, I didn’t have any objections to the way skins and punks were depicted in Margins (original title: Margini), the new movie by Niccolò Falsetti that’s out in Italian cinemas now and also seems to be doing the rounds at international festivals. Granted, the characters in Margins aren’t representative of skinheads or punks in general – they portray punks and skins in Italy, or more specifically in the provinces, and this they do very convincingly. Having only lived in Italy since 2020, I might miss some nuances, but the characters on screen talked, looked and acted very much like people I’ve encountered in real life in these past two years. Italy has its share of small dead-end towns where nothing ever seems to be happening for the one or two resident skins. But they have a car and a sleeping bag, and you meet them at every single gig within a 200-mile radius. They’re the kids that Margini is about.

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‘Skinheads’ by Davide Skin from Genoa, 1988

This is a short article by Davide ‘Skin’ that originally appeared in Italian Gradinata Nord, a zine providing “culture and free information for the Fossa dei Grifoni”, the ultras of Genoa CFC, in 1988. We would like to thank Guendalina Buonavita for sending us this little gem.

Photo by Fabrizio Barile
Translation by Francesca Chiari

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Genoa skingirl: an interview with Guendalina Buonavita

How do skinhead girls get involved in the scene? Is it the music, the look, or the culture that grabs their attention first? Surely, the reasons differ – it’s safe to say, though, that football doesn’t tend to be the initial spark. Except when you’re from Genoa and your name is Guendalina Chiari. Our correspondent Francesca Bologna spoke with the long-standing face of the Italian skinhead scene about her football and music recollections from the 1980s-90s.
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Roman skingirl: an interview with Lorena Plescia of Fun

How many skingirl vocalists can you think of? There were certainly not very many in the 1980s. But in Italy, Lorena Plescia was singing for the original Roman Oi band FUN as early as in 1982. Our new correspondent Francesca Chiari spoke to her about the early Roman skinhead scene.

This is the first of several articles dedicated to women who have left a mark on the skinhead scene of Italy.

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Italia Skins! An interview with Flavio Frezza

There are so many Italian skinheads living in London today, one wonders when they’ll start running out of them back home. Younger on average than the indigenous skinhead population, they infuse our scene with the kind of energy only a country shaped like a steel-capped boot could produce.

True enough, the relationship between the local tribes and new arrivals has sometimes been a bit… tense. To contribute to a better understanding between the two, we thought we’d find out more about Italian skinheads and their specific history. Who better to ask than Flavio Frezza, who has written a book titled Italia Skins?

Matt Crombieboy spoke to him about Italian skins past and present, and we’re proud to present the resulting interview:

PART 1 – From ‘nihilist punk’ to skinhead

PART 2 – Bands, politics & trouble

PART 3 – Today and tomorrow

Many thanks to Valentina G of Italian Skinheads for kindly letting us use her pictures.

Italia Skins is out on Hellnation Libri/Red Star Press now.