The Gentleman Footballer: John King on Alan Hudson

Footballer biographies are two a penny these days, but this wasn’t always the case. First published in 1996, Chelsea, Stoke and Arsenal legend Alan Hudson’s The Working Man’s Ballet was unusual in its time of being a non-ghosted tale of battles on and off the pitch, demons fought and, yes, Ben Shermans worn. London Books, run by John King (Skinheads, The Football Factory) and Chelsea Shed boy Martin Knight, are now republishing Alan’s biography, which John says is an account of “shared rebelliousness” between the dressing room and the terraces. 

A Creases Like Knives exclusive, John King’s intro to the new edition is below (with thanks to Stevo). Read also our interview with John if you haven’t already. Continue reading

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Literary hooligan: an interview with John King

Headhunters, White Trash, Skinheads and, most recently, The Liberal Politics of Adolf Hitler – as the titles of John King’s novels alone suggest, the godfather of hoolie lit is not one to dodge controversy or trouble. Living it as he’s writing it, the same has certainly been true for his real life persona.

King is something like British literature’s face of Oi. As many Londoners will know, this connection extends to the live events he puts on at the 100 Club. Named after his fourth novel, Human Punk, King’s night frequently features prole punk icons such as The Last Resort, Cockney Rejects, Ruts DC and Sham 69. Continue reading