French Oi has always had a special quality, hasn’t it? I first learned this when visiting family in my birth town Warsaw many moons ago and randomly buying a bootleg tape titled Son de la rue from a street market stall outside the Palace of Culture. It was the days of a flourishing black market, and on every street corner you’d find 4-Skins and Blitz pirate tapes democratically displayed alongside Metallica and Madonna ones. Son de la rue compiled some of the best cuts from the Chaos en France series – Komintern Sect, Snix, Camera Silens, you name it – and I’ve remained a fan of frog Oi ever since.
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