“He was a SKIN.” A talk with Brendan McCarthy

The British comic strip Skin – conceived and drawn by Brendan McCarthy, written by Peter Milligan and coloured by Carol Swain – was commissioned by Fleetway Publications, who intended to publish it in Crisis magazine in 1990. The story revolved around Martin Atchet, a young skinhead whose arms are malformed from birth. Like so many real-life children in the 50s and 60s, the Martin character is born deformed because his pregnant mother is prescribed thalidomide, an anti-nausea drug whose effects on pregnant women are not properly tested.

Due to the raw and potentially controversial subject matter, the publishers soon changed their minds and withdrew their offer, however, and Milligan and McCarthy’s splendid work remained in limbo until 1992, when Kevin Eastman – co-creator of the Ninja Turtles alongside Peter Laird – finally made it available to the public via Tundra Publishing.

In Italy, Skin was published in three parts in Tank Girl magazine, namely from November ‘95 to February ‘96, and this original Italian edition is quite difficult to find. However, Hellnation Libri are now issuing a new Italian edition, edited and translated by Flavio Frezza (of Garageland magazine). For this interview, Flavio and the skinhead artist Alessandro Aloe (of Moriarty Graphics) had a chat with Brendan McCarthy, who like his co-author Peter Milligan was a skinhead in the very early 70s.

This interview was originally published in Italian on the Crombie Media blog.

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Skinhead Classics: Books for Bootboys 1970-2000. Part Two – the 80s

This is an ongoing, decade by decade, attempt to catalogue in 500 words or less the most notable skinhead books, starting with Richard Allen’s Skinhead in 1970 and ending on ST Publishing’s output until the turn of the century.  Click here for Part 1 – the 70s. Continue reading

Skinhead Classics: Books for Bootboys 1970-2000. Part One – the 70s

As a youth cult and subculture, skinheads, their fashion and music, have been the subject of numerous books and documentaries, some favourable and others not so.  

This is an on-going, decade by decade, attempt to catalogue in 500 words or less the most notable (our own Research Unit, if you like), starting with Richard Allen’s Skinhead in 1970 and ending on ST Publishing’s output until the turn of the century.   Continue reading